‘Within Reach’ 2020, at the 36th Open Annual Exhibition, Southwark Park Galleries, online group show, London
performance PING PONG by Martina von Meyenburg / Myriam Gämperli at The Art Cabinet by StudioK3, group show, 2020, Zurich
hand painted balls by Martina von Meyenburg / Myriam Gämperli at The Art Cabinet by StudioK3, group show, 2020, Zurich
hand painted balls by Martina von Meyenburg / Myriam Gämperli at The Art Cabinet by StudioK3, group show, 2020, Zurich
performance PING PONG by Martina von Meyenburg / Myriam Gämperli at The Art Cabinet by StudioK3, group show, 2020, Zurich
hand painted balls by Martina von Meyenburg / Myriam Gämperli at The Art Cabinet by StudioK3, group show, 2020, Zurich
‘Immersion’ drawing, group show ‘ARTISTS IN ISOLATION – Exhibition Zero’ 2020, www.studioK3.ch, curated by Clare Goodwin
‘Fussfessel’ drawing, group show ‘ARTISTS IN ISOLATION – Exhibition Zero’ 2020, www.studioK3.ch, curated by Clare Goodwin
‘Figments 4-6’, online group show ‘ARTISTS IN ISOLATION – Exhibition Zero’ 2020, www.studioK3.ch, curated by Clare Goodwin
online view of ‘Figments 1-3’, group show ‘ARTISTS IN ISOLATION – Exhibition Zero’ 2020, www.studioK3.ch, curated by Clare Goodwin
infos online group show ‘ARTISTS IN ISOLATION – Exhibition Zero’ 2020, www.studioK3.ch, curated by Clare Goodwin
infos online group show ‘ARTISTS IN ISOLATION – Exhibition Zero’ 2020, www.studioK3.ch, curated by Clare Goodwin
infos online group show ‘ARTISTS IN ISOLATION – Exhibition Zero’ 2020, www.studioK3.ch, curated by Clare Goodwin
installation view of drawings, solo show ‘Pleasure and Gloom’, FRÉDÉRIQUE HUTTER art concept, Zurich
installation view of drawings, solo show ‘Pleasure and Gloom’, FRÉDÉRIQUE HUTTER art concept, Zurich
installation view of ‘My Kingdom’, solo show ‘Pleasure and Gloom’, FRÉDÉRIQUE HUTTER art concept, Zurich
installation view of drawings, solo show ‘Pleasure and Gloom’, FRÉDÉRIQUE HUTTER art concept, Zurich
installation view of ‘Rapunzel’, solo show ‘Pleasure and Gloom’, FRÉDÉRIQUE HUTTER art concept, Zurich
detail of ‘Paleness and Bloom, Pleasure and Gloom’, solo show ‘Pleasure and Gloom’, FRÉDÉRIQUE HUTTER art concept, Zurich
Infos ‘PLEASURE AND GLOOM’ 2019, solo show, FRÉDÉRIQUE HUTTER art concept, 1.Nearby Exhibition, Zurich
Invite ‘PLEASURE AND GLOOM’ 2019, solo show, FRÉDÉRIQUE HUTTER art concept, 1.Nearby Exhibition, Zurich
in the shed: ‘Wipes and shiny pipes’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
in the shed: ‘These friends of mine I + II’ and ‘Buttoned down and Laced up’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
in the shed: ‘Never mind these pins!’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
in the shed: ‘At Dusk (1+2)’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
drawings and ‘My Kingdom’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
‘Above and Beyond’ and ‘Figments’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
‘Hundreds and Thousands’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
‘Hold and Behold’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
drawing ‘Steady (Standfest)’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
‘Paleness and Bloom, Pleasure and Gloom’ and ‘Steady as she goes’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
‘Knot it or knot it not’ and ‘Impressions’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
‘Impressions (1-9)’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
‘All Hands and Iron bound’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
‘Here I stand in a jar of peas’ at solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
Swiss Cultural Funding of solo show ‘A LOT OR KNOT’ 2019 at Coleman Project Space, Bermondsey, London, UK
‘Joy and Robin’ 2018/painting/Clare Goodwin and ‘Trace 520c’ 2011/C-print/Martina von Meyenburg at ‘DAS KABINETT IM KABINETT’ 2018, double show Clare Goodwin/Martina von Meyenburg, im kabinett visarte zuerich, Zurich, Switzerland
‘Folded mattress’ 2018 at ‘DAS KABINETT IM KABINETT’ 2018, double show Clare Goodwin/Martina von Meyenburg, im kabinett visarte zuerich, Zurich, Switzerland at
Drawings at ‘DAS KABINETT IM KABINETT’ 2018, double show Clare Goodwin/Martina von Meyenburg, im kabinett visarte zuerich, Zurich, Switzerland
Close up of ‘DAS KABINETT IM KABINETT’ 2018, double show Clare Goodwin/Martina von Meyenburg, im kabinett visarte zuerich, Zurich, Switzerland
‘Fragments 1a’ 2013 at ‘DAS KABINETT IM KABINETT’ 2018, double show Clare Goodwin/Martina von Meyenburg, im kabinett visarte zuerich, Zurich, Switzerland
‘DAS KABINETT IM KABINETT’ 2018, double show Clare Goodwin/Martina von Meyenburg, im kabinett visarte zuerich, Zurich, Switzerland
‘Fragments 1b’ 2013 at ‘DAS KABINETT IM KABINETT’ 2018, double show Clare Goodwin/Martina von Meyenburg, im kabinett visarte zuerich, Zurich, Switzerland
‘For the common good’ 2018 at ‘DAS KABINETT IM KABINETT’ 2018, double show Clare Goodwin/Martina von Meyenburg, im kabinett visarte zuerich, Zurich, Switzerland
‘DAS KABINETT IM KABINETT’ 2018, double show Clare Goodwin/Martina von Meyenburg, im kabinett visarte zuerich, Zurich, Switzerland
Flyer ‘DAS KABINETT IM KABINETT’ 2018, double show Clare Goodwin/Martina von Meyenburg, im kabinett visarte zuerich, Zurich, Switzerland
‘Counting Peas’ 2016 at ‘The Museum of The Unwanted’ (an artist curated project by Clare Goodwin) group show 2017, Im Waldhuus, Zurich, Switzerland
‘The Museum of The Unwanted’ (an artist curated project by Clare Goodwin) group show 2017, Im Waldhuus, Zurich, Switzerland
‘The Museum of The Unwanted’ (an artist curated project by Clare Goodwin) group show 2017, Im Waldhuus, Zurich, Switzerland
‘The Museum of The Unwanted’ (an artist curated project by Clare Goodwin) group show 2017, Im Waldhuus, Zurich, Switzerland
‘Die lange Hand’ 2016 at ‘The Museum of The Unwanted’ (an artist curated project by Clare Goodwin) group show 2017, Im Waldhuus, Zurich, Switzerland
‘Trace 504b’ 2016 at ‘The Museum of The Unwanted’ (an artist curated project by Clare Goodwin) group show 2017, Im Waldhuus, Zurich, Switzerland
‘The Museum of The Unwanted’ (an artist curated project by Clare Goodwin) group show 2017, Im Waldhuus, Zurich, Switzerland
‘The Museum of The Unwanted’ (an artist curated project by Clare Goodwin) group show 2017, Im Waldhuus, Zurich, Switzerland
‘The Dipping Game’ 2014 at ‘UNTERTAGE im Waldhuus’ – best of visarte zurich – group show 2017, Waldhuus, Zurich, Switzerland
Flyer ‘UNTERTAGE im Waldhuus’ – best of visarte zurich – group show 2017, Waldhuus, Zurich, Switzerland
‘Half of what you see’ 2010 at ‘LONDON meets ALTDORF’ group show 2017, Haus für Kunst Uri, Altdorf, Switzerland
‘My left foot’ 2014 at ‘LONDON meets ALTDORF’ group show 2017, Haus für Kunst Uri, Altdorf, Switzerland
Close up of ‘Facetime’ in ‘Alles zur Zeit’ group show 2017, Vögele Kulturzentrum, Pfäffikon, Switzerland
Text panel for ‘Facetime’ in ‘Alles zur Zeit’ group show 2017, Vögele Kulturzentrum, Pfäffikon, Switzerland
Close up of ‘Facetime’ in ‘Alles zur Zeit’ group show 2017, Vögele Kulturzentrum, Pfäffikon, Switzerland
‘PING POM’ live performance by Myriam Gämperli & Martina von Meyenburg at ‘Of Teapots and Other Matters’ solo exhibition 2016/2017, KATZ CONTEMPORARY, Zurich
Invitation card finissage ‘Of Teapots and Other Matters’ and performance ‘PING POM’ with Myriam Gämperli (drawing Myriam Gämperli)
‘PING POM’ film still by Myriam Gämperli & Martina von Meyenburg at ‘Of Teapots and Other Matters’ solo exhibition 2016/2017, KATZ CONTEMPORARY, Zurich
‘PING POM’ film still by Myriam Gämperli & Martina von Meyenburg at ‘Of Teapots and Other Matters’ solo exhibition 2016/2017, KATZ CONTEMPORARY, Zurich
‘PING POM’ film still by Myriam Gämperli & Martina von Meyenburg at ‘Of Teapots and Other Matters’ solo exhibition 2016/2017, KATZ CONTEMPORARY, Zurich
‘PING POM’ film still by Myriam Gämperli & Martina von Meyenburg at ‘Of Teapots and Other Matters’ solo exhibition 2016/2017, KATZ CONTEMPORARY, Zurich
‘PING POM’ props by Myriam Gämperli & Martina von Meyenburg at ‘Of Teapots and Other Matters’ solo exhibition 2016/2017, KATZ CONTEMPORARY, Zurich
‘PING POM’ performance costumes by Myriam Gämperli & Martina von Meyenburg at ‘Of Teapots and Other Matters’ solo exhibition 2016/2017, KATZ CONTEMPORARY, Zurich
‘He and She’ 2016 at ‘Of Teapots and Other Matters’ solo exhibition 2016/2017, KATZ CONTEMPORARY, Zurich, Switzerland
‘Clear and cloudy’ 2016 at ‘Of Teapots and Other Matters’ solo exhibition 2016/2017, KATZ CONTEMPORARY, Zurich, Switzerland
‘Facetime’ 2016, at ‘Of Teapots and Other Matters’ solo exhibition 2016/2017, KATZ CONTEMPORARY, Zurich, Switzerland
‘Die Aufsicht’ and ‘Die lange Hand’ 2016 at’Of Teapots and Other Matters’ solo exhibition 2016/2017, KATZ CONTEMPORARY, Zurich, Switzerland
‘PING POM’ live performance by Myriam Gämperli & Martina von Meyenburg at Manifesta 11 Zurich, Cabaret/ Zunfthaus Voltaire, 2016, Zurich, Switzerland
Invitation/Acceptance card for ‘PING POM’ live performance by Myriam Gämperli & Martina von Meyenburg at Manifesta 11 Zurich, Cabaret/Zunfthaus Voltaire, 2016 (drawing by Myriam Gämperli)
‘PING POM’ live performance by Myriam Gämperli & Martina von Meyenburg at Manifesta 11 Zurich, Cabaret/ Zunfthaus Voltaire, 2016, Zurich, Switzerland
‘Escaping reality’ installation (with acoustics by Martin Andersson) 2010, Malzfabrik, District Kunst- und Kulturförderung, Berlin, D
‘Escaping reality’ installation (with acoustics by Martin Andersson) 2010, Malzfabrik, District Kunst- und Kulturförderung, Berlin
‘Escaping reality’ installation (with acoustics by Martin Andersson) 2010, Malzfabrik, District Kunst- und Kulturförderung, Berlin
‘Escaping reality’ installation (with acoustics by Martin Andersson) 2010, Malzfabrik, District Kunst- und Kulturförderung, Berlin
‘Escaping reality’ installation (with acoustics by Martin Andersson) 2010, Malzfabrik, District Kunst- und Kulturförderung, Berlin
‘Escaping reality’ installation (with acoustics by Martin Andersson) 2010, Malzfabrik, District Kunst- und Kulturförderung, Berlin